All posts tagged: monica davey

Interview with Dan Reimold of College Media Matters for Forthcoming Journalism Text Book

Recently, a query from Dan Reimold of College Media Matters/University of Tampa landed in my inbox, requesting an interview for a forthcoming journalism text book he is working on now that will offer advice and experience from journalists. With his permission, I am publishing the contents of our online interview, which was conducted from July 1-5, 2011: DAN REIMOLD. What are the best pieces of advice you have received or given about capturing quality photos? AMANDA RIVKIN. Most of the best macro-level advice I have received has been from photographers-turned-editors like Santiago Lyon, the Director of Photography at The Associated Press, who has spoken to me and many, many other young photographers about the difference between taking pictures and making a picture and thinking about the frames you are taking as opposed to merely clicking away. Other photographers have undoubtedly helped along the way and too many to name, but the best advice I have found is only pertinent when it is later engrained in experience. AR. The one time I talked with photographer Chris …

American Photography 26: The Book

Finally received and had a chance to open the very beautiful American Photography 26: The credits are in the back of the book and look something like this: Amanda Rivkin http://www.amandarivkin.com amanda.rivkin@gmail.com Former Illinois Governor Rod Blagojevich prepares his impeachment speech at the Illinois State Capitol, January 29, 2009., Springfield, Illinois, for the article “Blagojevich’s Final Day,” January 2009. Publication: The New York Times Photo Editor: Corn Schmid, David Scull, and Gina Privitere School: Georgetown University Graduate School of Foreign Service Writer: Monica Davey Agency: Polaris Images Client: The New York Times Publishing Company: The New York Times Co. — And the outside front and back covers:

Recent Work: Michigan’s Decade of Tarnish Seen in Census Report

A little break from editing and post-holiday recovery affords a window on the week that just past. Census figures showed only one in fifty American states lost population over the last decade – Michigan. The day before Christmas I was in Constantine, Michigan with New York Times Chicago bureau chief Monica Davey to cover the story, “Michigan’s Decade of Tarnish Seen in Census Report”: CONSTANTINE, Mich. — While every other state in the nation gained population over the past decade, Michigan shrank. And yet, as word seeped across frozen towns like this one on Wednesday, almost no one seemed even mildly surprised. This was, many here said with resignation, just one last, official confirmation of Michigan’s long, grim and gloomy slide. “We used to enjoy a bit of a strut,” said Jerry Becker, a welder, recalling an era when Michigan’s automotive powerhouses ruled the world and salaries here felt lavish. “But that’s long gone. We all know by now that everybody thinks of Michigan as a bad place to live — a place that doesn’t …

American Photography 26: Selected Gallery

American Photography 26 http://www.ai-ap.com Amanda Rivkin amanda.rivkin@gmail.com Former Illinois Governor Rod Blagojevich prepares his impeachment speech at the Illinois State Capitol, January 29, 2009., Springfield, Illinois, for the article “Blagojevich’s Final Day,” January 2009. Photo Editor: Corn Schmid, David Scull, and Gina Privitere Publication: The New York Times Publishing Company: The New York Times Co. Writer: Monica Davey Client: The New York Times Selected AP 26 previous posts: “Forthcoming: American Photography (Launch Date: November 11, 2010),” September 30, 2010

From the Archive: The Week the World Took to the Streets a Reflection on the Initial and Subsequent Revisions of History and Other Manifestations

This week the world took to the streets. One third of gas stations across France were dry because of fuel blockades initiated by unions and executed by students and other rabble-rousers to protest Nicolas Sarkozy’s attempts to raise the retirement age from 60 to 62. In Greece, students objected to austerity measures in an effort to get Greece’s spiraling deficits and debts from becoming even more out of control. On the Western or American front, however, it was pretty quiet. A chance to reflect on the amendments history has made to our own demonstrations, police riots, anarchist takeovers, call it what you will. As a native Chicagoan, no single event meets the category of this historical revisions than the 1968 Democratic National Convention, which depending on your perspective was a counterculture takeover or a police riot. In 2009, 41 years after the fact several law enforcement veterans of the collision decided to hold a reunion on the pretext of fundraising for the Chicago Fraternal Order of Police. They ordered pizza, they maybe drank a few …

Forthcoming: American Photography 26 (Launch date: November 11, 2010)

American Photography 26 will launch November 11th. “American Photography presents the best images by established and emerging photographers selected by an outstanding jury from thousands of entries. The collection, gathered from books, magazines, promotional and personal portfolios, offers an informed view of photography today, with images that resonate through their clearly individual point of view. American Photography is a time capsule in the making. American Photography offers a who’s who in photography, with images by Luc Delahaye, Lee Friedlander, Nan Goldin, Jean Paul Goude, Lauren Greenfield, Brigitte Lacombe, Vincent Laforet, Annie Leibovitz, Martin Parr, Paolo Pellegrin, Spencer Platt, Martin Schoeller, Stephanie Sinclair, to name a few. Work by today’s masters is interspersed with pictures by photographers just beginning to make a name for themselves… American Photography, founded in 1985, is the leading juried annual and advocate of contemporary photography in North America and the world. Regarded by creative professionals as the number one source for today’s finest image makers, American Photography is the premier showcase for editorial, advertising, fine art and experimental work. With a …